film

Say No to Government Grinches and Corporate Scrooges

Once upon a midnight clear, there was a child’s cry, a blazing star hung over a stable, and wise men came with birthday gifts. We haven’t forgotten that night down the centuries. We celebrate it with stars on Christmas trees, with the sound of bells, and with gifts… We forget nobody, adult or child. All the stockings are filled, all that is, except one. And we have even forgotten to hang it up. The stocking for the child born in a manger. It’s his birthday we’re celebrating. Don’t let us ever forget that. Let us ask ourselves what He would wish for most.

Orson Welles in End Times

They’ll Love Me When I’m Dead is Morgan Neville’s not–very-helpful addition to the canon of “Who Was Orson Welles and How Did He Do It?” documentaries, of which I have already seen several, since I’m a fan. It didn’t make me particularly enthusiastic about The Other Side of the Wind, Welles’ simultaneously released final monsterpiece (42 years in coming!) which is the nominal focus of the documentary.

On Air with Doug, Jen, and Victoria

On Air with Doug, Jen, and Victoria: Best Radio News Program to Start Your Day
New day is coming. It is a new start for us. But wait! How are we supposed to start our new day with excitement? Well, while you can surely do plenty of things, why don’t you try start a new day with this radio news program named On Air with Doug, Jen, and Victoria? Start your new day with lots of fun and excitement by listening to this talk. Here is what it’s about:
On Air with Doug, Jen, and Victoria – in Brief

Mandy (2018) – Nic Cage Film – Symbolism Analysis – Jay Dyer


Jay Dyer covers the esoteric and humorous elements in Nic Cage’s wild new film, Mandy. Mandy is a mish mash of Hellraiser, Heavy Metal, Twin Peaks, Evil Dead and more – on acid! Jay gives two possible readings of the film, including a Luciferian ‘dark hero’ narrative, or a Christological harrowing of Hades analysis. Spoilers ahead – beware.