Edited by Leah Stenson and Asao Sarukawa AroldiReview by Maggie GundersenSpecial thanks to editor Leah Stenson for sending this book to Fairewinds Energy Education on the eve of Fukushima@5. To quote Ms. Stenson, “The fifty poets whose work is presented here speak for the thousands, millions, whose voices have not been heard, and they speak with eloquence, passion, and courage.”Reverberations from Fukushima: 50 Japanese Poets Speak Out was awarded as a 2015 USA BEST BOOK AWARDS finalist in the Social Change category on November 16, 2015.This beautiful book of poetry opens with an explanation about the use of atomic power and the unfolding disaster of the triple meltdowns at Fukushima Daiichi. It is an amazing collection of 50 poems in English followed by a separate section with the poems in the original Japanese. These are rich evocative poems, which is why we decided to feature this book now while Fairewinds chief engineer Arnie Gundersen is in Japan and traveling in the Prefecture (State) of Fukushima. Ms. Stenson’s experience of traveling through the exclusion zone with her husband and the poet Masayki Nemoto, who is now a nuclear refugee, echoes what Arnie is now witnessing first-hand in Fukushima Prefecture. “Visiting the deserted towns and countryside around Daiichi Nuclear Plant served to give me a clearer understanding of the situation in the exclusion zone… The so-called ghost towns, which included areas undamaged by the earthquake or tsunami, were like movie sets after all the actors had left and gone home. The complete absence of human activity in the context of shops, homes, and streets was eerie beyond description.” (Leah Stenson, Preface, Page xiv)Imagine being forced to abandon the town and home you love so dearly. Read My Home, Namiemachi, by poet Masayki Nemoto (Page 72).I was really touched by Hatsuko Hara’s poem, The Day My Professional Career Ended. Ms Hara was in charge of personnel at the Fukushima Daiichi Nuclear Power Plant.For me, Ms Hara’s evocative poetry was a painful reminder of my feelings regarding my work in nuclear public relations, when I told people living near these plants that atomic power is safe. Her poem brings home the tragedy of the post-meltdown cleanup work at Daiichi.“But the temporary workers were outside my scope of responsibility.When the radiation leaked, it was their job.They were the ones who did the dangerous work.They cannot work more than two days a week,since they are constantly exposed to radiation.Their work history is erased when they retirebecause the company would get in troubleif these records could be used to establish the cause of their illness.Their lifeis not the life of the Tokyo Electric Power Company.”In The Pollution Of Our Ancestral Land, Tsutomu Sakai poignantly introduces us to the pain the mountains and forests are feeling for the devastation of their world.And finally, as a mother and grandmother, I was very touched by Jun Nakamura’s poem, To The New Generations, beginning with:“To the new generations We have to apologize to youfor having deprived you ofthe ground where you would have been able to walk barefoot,the snowy fields…the shallow brooks you could have splashed through,… crops safe and full of energy from the earth. …We have to apologize to youfor your damaged genes,for the cesium detected in your body,for your swollen thyroid gland…”Buy the book. Read it and hear the truth spoken from the hearts and voices of many victims of the ongoing Fukushima Daiichi tragedy.
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