Sunday Classics

Sunday Classics snapshots: More Vickers -- "Otello fu," how he gets from here to there

Jon Vickers (t), Otello; Rome Opera Orchestra, Tullio Serafin, cond. RCA-BMG, recorded July-Aug. 1960by KenLeonard Bernstein had such a strong feeling for the scene of the death of Otello as depicted by Arrigo Boito and Giuseppe Verdi that, as I recall the story (maybe somebody can help me out here?

Sunday Classics snapshots: LIfe among the Druids

The first page of Bellini's Norma autograph scoreBELLINI: Norma (1831): OvertureOrchestra of the Teatro alla Scala (Milan), Antonino Votto, cond. Live performance, Dec. 7, 1955Orchestra of the Teatro alla Scala (Milan), Tullio Serafin, cond. EMI, recorded Nov. 5-12, 1960London Philharmonic Orchestra, Carlo Felice Cillario, cond. RCA, recorded September 1972National Philharmonic Orchestra, James Levine, cond. CBS-Sony, recorded 1979

Sunday Classics snapshots: Aren't the jolly boys and girls of "The Gondoliers" really somebodies after all?

"The Piazzetta in Venice, Looking East with the Doge's Palace, the Columns of Saint Mark and Saint Theodore, the Riva degli Schiavoni and the Bacino di San Marco," oil painting by Bernardo Bellotto (1722-1780)GILBERT and SULLIVAN: The Gondoliers: Act I, Francesco, Good morrow, pretty maids . . . Antonio, For the merriest fellows are we

Sunday Classics snapshots: "Papa" Monteux, "Petrushka," and fiddlers four

Monteux conducted Saint-Saëns (!) in the Schumann Concerto[from the 80th-birthday interview with Edward Kellyincluded in the set]How Monteux came to conduct the premiere of Stravinsky'sPetrushka (and later, of course, The Rite of Spring)Monteux conducts the opening of PetrushkaAs we know, he conducted the ballet's premiere with Serge Diaghilev's Ballets Russes in 1911. This excerpt is from the recording he made with the Boston Symphony Orchestra for RCA, Jan.