An exposition of the amazing prophesies and details of the Book of Jeremiah, from the opposition to the occult through the worship of Molech, to countless prophesies of Christ and the Orthodox Church in future-history. The second half will be available for paid subscribers to JaysAnalysis.com.
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Jay Dyer is the author of Esoteric Hollywood and the co-creator and co-host of Gaia TV’s Hollywood Decoded, in which he delves into the symbolism hidden in blockbuster films to uncover secret, predictive programming. Matt and Jay reveal the hidden-in-plain-site clues to deeper meaning in some of the most popular films in pop culture on this intriguing episode of Pod Sequentialism with Matt Kennedy.
The autumn of the patriarch, man, thinking hard about Marquez’s book, thinking back in lamentation bursts, going back in time when I met him at the University of Texas at Austin, and how he spoke to me as a young person, hopeful that I would be something as unique as he was, using what I told him was my West Texas/Chihuahua “magic realism,” founded on what I learned from his One Hundred Years of Solitude.
Birds flying high you know how I feel
Sun in the sky you know how I feel
Breeze driftin’ on by you know how I feel
And this old world is a new world
And a bold world
For me
And I’m feeling good
I’m feeling good
— Nina Simone, Feeling Good, 1965
We have a gun lust. Guns make us (especially men) feel empowered, even when we are mostly weak. Guns make small men feel they are someone to be reckoned with — and I’m not referring to physical stature. Guns give impotent (sexually or existentially) men vitality and make them feel formidable.
… a nation in which 87 percent of eighteen- to twenty-four year olds (according to a 2002 National Geographic Society/Roper Poll survey) cannot locate Iran or Iraq on a world map and 11 percent cannot locate the United States (!) is not merely “intellectually sluggish.” It would be more accurate to call it moronic, capable of being fooled into believing anything …
—Morris Berman, The Twilight of American Culture, June 28 2001
The acceptance of violence in cinema today has become the norm. In almost every genre of cinema (even in comedies [Kick Ass] and musicals [Sweeney Todd]) today extreme violence can crop up at some point during the movie. Some film genres are based on violence: horror, war, westerns, crime, terror.
Journalist Jason Leopold obtained hundreds of documents through a Freedom of Information Act lawsuit that further reveal how the FBI relies upon movies and television to bolster its image.
The Blade Runner sequel fully vindicates my analysis of the original Blade Runner. In this video I cover the main themes and messages as well as the many Edenic and biblical references. In the sequel, the biblical narratives of Rachael, Moses, the Serpent and the Christ are reversed or inverted to a blatantly revolutionary illuminist narrative.
Jay Dyer is a public speaker, lecturer, comedian and author of Esoteric Hollywood: Sex, Cults and Symbols in Film, as well as the host of the JaysAnalysis Podcast/Esoteric Hollywood. He is also a regular contributor to 21stCenturyWire, Soul of the East and the Espionage History Archive. Jay’s work covers a wide variety of subjects, including metaphysics, film analysis, theology, geopolitics, literature, and history.
