Cold War

ClandesTime 076 – Walt Disney and the FBI - Spy Culture

Disney are one of the world's largest movie studios and producers of entertainment. They have enjoyed this status for decades, recently acquiring both the Star Wars and Marvel franchises, among the most profitable in the cinema industry. The relationship between the corporation and government agencies has been almost continuous for more than half a century.

ClandesTime 074 – The Secret World of Tom Clancy Part I – The Films - Spy Culture

Tom Clancy was one of the most popular spy authors of all time, but was he a spy himself? What are the nature of his government connections? How were the film adaptations of his novels supported by the Pentagon and the CIA? What script changes were made by the DOD in exchange for their support? In Part I of this two-part podcast we examine five Tom Clancy films - The Hunt for Red October, Patriot Games, Clear and Present Danger, The Sum of All Fears and Jack Ryan: Shadow Recruit.

Decoding Chase Brandon: CIA Entertainment Liaison - Spy Culture

Chase Brandon was the CIA's first entertainment liaison officer, working in the entertainment industry for over a decade from 1996 onwards. Brandon helped produce over a dozen major films and a similar number of TV shows and more than any other individual helped set up a permanent CIA network within Hollywood and the rest of the industry.

Andropov & KGB Directorate S

Major General Yuri Drozdov, the legendary last chief of Directorate S (Illegals) within the KGB’s First Chief Directorate (FCD – Foreign Intelligence) tells of working with KGB Chairman and future General Secretary Yuri Andropov. Andropov was known for his sophisticated approach to intelligence matters, and was a generous patron to Directorate S.

Hollywood Spies: North by Northwest

Often overlooked in spy culture are Alfred Hitchcock’s espionage classics. In the Hitchcock film Vertigo (1958), we highlighted the use of mind control, doubling and voyeurism on the part of a shadowy Bohemian Grove-esque elite intent on manipulating the middle class Scottie (Jimmy Stewart) based on a profiling of his psychological weaknesses.