Big Entertainment

The upside to piracy

While many artists have stepped up to demonize piracy over the years, Def Leppard guitarist Vivian Campbell prefers to see the upside. Describing the effects as “fantastic”, Campbell says there’s a whole new audience coming to the band’s shows, bringing fresh energy to the performance. But how much of this can be attributed to piracy […]

EU: You cannot – or should pay extra – to store your music in the cloud

Under the CULT “compromise amendments”, it would no longer be possible to store legally acquired music recordings video files or any other copyrighted content on European cloud storage services. This is despite the fact that Europeans already pay hundreds of millions every year in levies (3,2 billion euro in the first half of this decade) to compensate rightsholders for making copies of legally obtained copyrighted works.

»EU copyright reform goes from bad to worse«

For example, the “snippet tax” would require commercial sites that quote even tiny portions of online press publications to pay a licensing fee for each one. Given the way social networks constantly quote and cross-link information, that’s clearly absurd. And yet the Industry, Research and Energy (ITRE) committee of the European Parliament has come up with a cunning plan to make it even worse. It wants the snippet tax to apply to physical publications as well as digital ones. (…)

EU’s top court: OK to block links to known copyright infringing content

A long-running legal battle between Dutch ISPs and the local anti-piracy organization BREIN over blocking The Pirate Bay has concluded with a ruling in favor of BREIN. The Court of Justice of the European Union (CJEU) said yesterday The Pirate Bay could be blocked because:
“Making available and managing an online platform for sharing copyright-protected works, such as ‘The Pirate Bay’, may constitute an infringement of copyright”

Copyright vs. freedom of the arts, freedom of the press and freedom of information

• What role the rights granted by the Charter of Fundamental Rights of the European Union plays: in particular, what is the relationship between copyright protection (Article 17(2)) and freedom of the arts (Article 13)?
• (C)can copyright protection be trumped by the need to safeguard freedom of the press and freedom of information? Or can fundamental rights be even directly invoked to prevent enforcement of copyright?

Committee vote on EU Copyright: No to the censorship machine. Yes to link tax.

Today the European Parliaments committee for the internal market (IMCO) has voted on the new EU copyright package.
The »censorship machine« (demanding that net platforms and ISP:s should filter all user uploaded content) fell. This is a victory for a free and open Internet.
(But still, the proposal is not quite dead. It can be re-tabled for the main vote in plenary.)
However, the »link tax« (license fees for linking to mainstream media content) still stands.

EU to move on the Internet Censorship Machine and Link-tax

Next Thursday, June 8, the European Parliaments Internal Market and Consumer Protection Committee (IMCO) will have its main vote on the EU Copyright Package.
Here a proposal will be hammered out for the parliament’s final plenary vote later this summer. So it’s a very important event. And there are dark clouds on the horizon.
Key points are the EU Censorship Machine (forcing internet platforms to control and, in relevant cases, censor content uploaded by its users) and the Link-tax (a license fee for linking to media news articles).