From Galileo to the Rights of Women
I recently watched Joseph Losey’s film version of Bertolt Brecht’s play The Life of Galileo. First performed in 1943, and revised in 1955, Losey’s production was filmed in 1975. One of Brecht’s best-known dramas, The Life of Galileo addresses the oppressive nature of religion both in terms of its control of thought and its collusion with power in maintaining the status quo. It is as if within knowledge resides damnation, as if any human even has foreknowledge of such a fate should it exist.
