film review

88 Days of Hell for the Family Jewell

By the late-90s we must have sensed that the shit was hitting the fan. The fire at Waco. The Unabomber envelopes. The downing of Flight 800. The World Trade Center bombing. Blowjobs in the White House. Oklahoma City. Tokyo’s subway sarin attack. The Khobar Towers bombing blamed on bin Laden. The ascent of Atlanta’s radio jockstrap Sean Hannity to national status on Roger Ailes’ newly established Fox News Network. OJ taking off the gloves.

Death In The Time Of ‘Development’

In ways more than one, Quarter Number 4/11, a documentary about demolitions and displacements and resultant miseries to a defenseless but defiant working class family, is reminiscent of Anand Patwardhan’s epic Hamara Shahar, made a quarter century earlier. “Quarter Number 4/11 is a ground-zero perspective of urban real estate development, narrated through the plight of ex-factory worker Shambhu Prasad Singh,[Read More...]

Still Fighting “Whatever” in Afghanistan

This just in:  Cable news presenter-hero Jake Tapper finds new spotlight at the Movies with the Millennium Media studio release of The Outpost, based on Tapper’s 2012 book The Outpost:  an Untold Story of American Valor. Tapper’s tale tells the story of a locally massive attack by Taliban-types on a remote American forward operating base, Combat Outpost Keating, in the precipitously rugged Hindu Kush mountains of Afghanistan’s northeastern province of Nuristan, which borders Pakistan.

Moore’s Planet of the Humans: More Misanthropic than Malthus

In reverential tones with ominous background music, director of Planet of the Humans Jeff Gibbs intones about “the most terrifying realization I ever had.” Gibbs instructs us, “Every expert I talked to wanted to bring my attention to the same underlying problem.” It is “not the elephant but the herd of elephants in the room,” Prof. Nina Jablonski warns. “The underlying problem,” the movie earnestly preaches is that “there are too many human beings.”

Mahanagar –  Formidable Body, Pathetic Tail

In 1963, Satyajit Ray directed Mahanagar, commonly considered to be his first ‘Calcutta film’. True, there is a little of the ‘Big City’ in Apur Sansar (1959). Equally true, Parash Pathar (1958) is about an elderly Calcutta clerk who comes into a sudden fortune, only to lose it in no time. But Parash Pathar is a fantasy film, can perhaps[Read More...]