Audio Here
The idiocy of the spooks, wandering bishops, fronts, shells and frauds in the tiny fringe incel LARPping world of sedevacantism examined. The incel factory that is sedevacantism is a recipe for disaster – in reality they are no different than “conclavists.” Instead of the One, Holy, Catholic Doublewide “Church,” begin your course in these links below to find sanity and healing:
For us there are no dialectics: creation is not set against divine energy and presence, but is in fact its intended telos. God thus manifests His uncreated glory in time and space and in multitudes of created forms: upon this hangs the reality of the Gospel and the reality of the Incarnation as a deification of Christ’s humanity, and by extension, us who participate in His deified flesh. Anything else is Arian heresy. Like His humanity or the sacraments, created forms really and truly thus become vehicles of uncreated reality and not ‘created grace.’ The light of Mt.
Popular Commenter SyrianGirl joins Andy Warski and Jay Dyer after a 2 hour red-pilling session of telling Andy about the big gameplay of globalism. Relaunch of Warski Live. Call Ins: https://discord.gg/E6Aj2A
War Games and The Pentagon’s Brain by Annie Jacobsen reviewed for the Globalist Books’ Series.
Stream or Download Audio Here
Purchase my book Here.
Epic night after a Warski Live Stream audience of 5 k – LIVE. With Boiler Room crew we discuss Trump, upcoming interviews and then I act dumb for 2 hours with the chat.
as well as taking SUPERCHAT QUESTIONS.
Purchase my book Here.
The epic religious chat long requested – Jay Dyer + Styx!
Styx: https://www.youtube.com/user/Styxhexenhammer666
Jay Dyer returns to Our Interesting Times to discuss his recent debate and critique of Jordan Peterson and the classical liberal worldview. We also talk about oligarch-backed culture creation and revolution and Jay reflects on his 20 years of research. Jay is the host of Jay’s Analysis , the co-host of Hollywood Decoded, and the author of Esoteric Hollywood: Sex, Cults and Symbols in Film. *Please consider supporting this program by donating here.
