You change the meaning of violence To mean that your violence is non-violent And those who question your violence Are the perpetrators of the actual violence If you define your violence as non-violent And those who question your violence as violence Your non-violence has a violent nature And questioning of your violence has a non-violent nature The foundation you want[Read More...]
Mysore Shrinivas Sathyu, who turned ninety on July 6 this year, is an important figure in the annals of New Indian Cinema by virtue of just one film- Garam Hawa (Hot Winds, 1974), a scathing dissection of the diseased mentalities that caused the Partition of the country (read, Partition of Bengal and Punjab). Garam Hawa achieves its purpose by portraying[Read More...]
Cinematic aesthetic in a public space is defined by the sensibilities of such a space. Dictating these sensibilities becomes the privilege of a dominant hegemonic group. Consequently, it panders to clichés and tropes that simultaneously borrow from and lend to a collective imagination – strengthening it with each rendition. Eventually, repeat renditions become the unchallenged mainstay of a popular narrative,[Read More...]
Each time, Saadat Hasan Manto changes position in his 65-year-old grave in Lahore, “wondering whether he is a better short story writer than God”, the subcontinent, more than any other part of the world that recognized his genius belatedly, goes into raptures. Some recent films, books, and stage adaptations to do with the great writer and liberal humanist provide[Read More...]
Forgotten souls that weep for an Unfinished dream, for a life Half-lived that ended in an agony of twin blasted Implosions. Forgetting the past — Al Qaeda Osama the terror the horror of tumbling towers the cries that pierced the silences of death and yet triumphing Arabian perfumes silver bricks Clear the stench of corpses, Wars for Holy[Read More...]
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The simplest form of a question, addressed by indefinite horde communities from hitherto. The reply always varied spatially and temporally. ‘A FILM BY’, a hackneyed yet modish way to address a cinema by the film makers, is a lesser film maker ideology, suggests Nasruddin Shah, a prominent mainstream actor of the era. A complete filmmaker, Charlie Chaplin, never used[Read More...]
Opening before us A crack in the Earth So deep So deep Headphones on Chatting on the phone We walk Into the muck Insouciance Ambien-induced haze Our collective lives Under this mask The crack widens And deepens We walk Without a pause Will you save me Before I fall? Romi Mahajan is an Author, Marketer, Investor, and Activist SIGN UP[Read More...]
Human beings distinguish themselves from other animal species by, inter alia, their ability to communicate elaborately through multiple languages. Over time, the spoken languages have also been transformed into written languages, bringing a visuality and cognition to the language which also made possible recording of history and creation of literature, essentially extending the reach and precision of language over time,[Read More...]
By Giuseppa Cochiara and Gary Steven Corseri Food for the poor, Water for plants Rain for arid land. Everyone adds A pinch of hope To the dish of Life. It’s a rose-tinged feeling— Nourishing, supporting. Everyone hopes For a better day— A turnaround To something new. Love, success, pride…. Can we imagine them Without hope? [Read More...]
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Adoor Gopalakrishnan is, unfortunately, ‘at it’ again. Kerala’s best-known filmmaker was recently at his favourite pastime of hitting a contemporary below the belt; trying to belittle someone with whom he started out on his filmmaking journey almost half a century ago. Honestly, I have noted with a mixture of disappointment and disgust, Adoor’s venomous remarks against K.P. Kumaran, as made[Read More...]
