Joe and Zim in the dugout -- where else?"Our universal affection for Zim is complicated, beginning as it does with our childlike joy in his bald cannonball head and stumpy bod and jack-o'-lantern grin, but encompassing as well, I think, a deep trust in and respect for his decades of exemplary competitive service, without stardom or contemporary distraction."-- The New Yorker's Roger Angell, in "Zim"by KenFor anyone who lived in one of the towns that was one of the way stations on Don Zimmer's journey through organized baseball -- and that list could simply reduce to Baseballtown USA -- the news of his passing Wednesday night at 83 brought daily life to a brief standstill. It's a measure of a life not too badly lived that it inspired this affectionate remembrance by Roger Angell.Roger describes Zim as "an original Met and an original sweetie pie," and says, "His sixty-six years in baseball were scripted by Disney and produced by Ken Burns."And he sketches that life in baseball:
As a stubby, earnest third baseman and utility infielder, he compiled a .235 batting average over twelve seasons for six teams, including the Brooklyn and Los Angeles Dodgers, the Chicago Cubs, those 1962 ur-Mets, and the Washington Senators. In the off-seasons, he played ball in Puerto Rico and Cuba and Mexico. Turning coach, he was hired eleven times by eight different teams (there were three separate stints with the Yankees) and along the way managed the Padres, Red Sox, Rangers, and Cubs. Two championship rings as a player with the Dodgers, four as a coach with the Yanks. He finished up with the Rays, in his home-town Tampa: a coach, then a local presence.
"But never mind Disney," Roger says. "Only baseball could have produced a C.V. like this, and it’s not likely to happen again."
I think Zim is best remembered as the guy right next to manager Joe Torre on the right-hand side of the Yankees dugout in the good years: a motionless thick, short figure, heavily swathed in Yankee formals. The bulky dark warmup jacket and the initialled cap neatly and monastically framed his layered white moon-face, within which his tiny, half-hidden eyes remained alive and moving. He could also run and yell, of course. Boston fans—no, fans everywhere—will not forget the night he charged Pedro Martinez on the mound in that Fenway Park playoff fracas in 2003—and instantly wound up on his back, like a topped-over windup toy. Zim burned hard, and the hoots and yells and laughter that ran through the fiercely partisan Back Bay stands were familial and affectionate.
Yes, Zim as Joe Torre's right-hand guy with the Yankees is how I remember his best too. Only Roger has not just a way better memory than me, but a richer sensibility.
Zim sitting is the way he comes back to mind, for me. Like a few other old coaches, he had converted clubhouse silence and immobility—elbows on knees, hands folded, head aimed forward and downward, lips zipped—into something like a regional religious practice. If he caught your gaze as you walked past the coaches’ little anteroom on your way to Joe Torre’s office after another late game—he was down to sweats and clogs by now—he might manage an infinitesimal nod of recognition. Yep … same old.Our universal affection for Zim is complicated, beginning as it does with our childlike joy in his bald cannonball head and stumpy bod and jack-o’-lantern grin, but encompassing as well, I think, a deep trust in and respect for his decades of exemplary competitive service, without stardom or contemporary distraction. He was a baseball figure from an earlier time: enchantingly familiar, tough and enduring, stuffed with plays and at-bats and statistics and anecdotes and wisdom accrued from tens of thousands of innings. Baseball stays on and on, unchanged, or so we used to think as kids, and Zimmer, sitting there, seemed to be telling us yes, you’re right, and see you tomorrow.
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