The new Amazon series Tom Clancy’s Jack Ryan is the first TV show to film at CIA headquarters for several years, in keeping with the Agency’s long-time support for adaptations of Clancy’s work. In this episode I review and analyse the series, including the inevitable references to 9/11, the hallmarks of CIA input on the script and the question of whether the series acts as revenge fantasy for Islamist terrorists.(Read more...)
The CIA’s Office of Public Affairs (OPA) was established in the late 1970s and contains their entertainment liaison office. This week I go through an 8-page summary of the CIA’s Entertainment Liaison and Media Outreach activities covering 2014-16. This includes their relationships with journalists, their involvement in entertainment such as the Benghazi movie 13 Hours, and their relationship with deep state lawyer and Hollywood consultant Rich Klein.
The CIA's Office of Public Affairs is - ironically - very tight-lipped about what they actually do, so I was pleased that they recently responded to a 3 year old FOIA request and provided me with a document summarising their activities from 2014 to 2016. This includes numerous meetings with journalists, facilitating tours of CIA headquarters for Hollywood stars and helping to rewrite the Benghazi movie 13 Hours and one of the Ghost Recon video games.
To unsuspecting movie audiences Pitch Perfect 3 is a piece of lighthearted family-friendly entertainment to be enjoyed and then forgotten almost immediately. Lurking beneath this neutrally-toned surface lies a work of military recruitment propaganda, intelligently crafted to appeal to demographics that the DOD usually has trouble reaching. In this episode I break down the film, […](Read more...)
Pitch Perfect 3 appears on the surface to be a family-friendly piece of lighthearted, forgettable entertainment. But beneath that surface lies a carefully-crafted piece of military PR, aimed at recruiting people the DOD usually finds it hard to attract. Documents recently released by the US Air Force and the Pentagon detail exactly what the military provided in support of the film, and what changes were made to the film by the DOD.
Most government agencies sign contracts with Hollywood producers when they agree to provide support on a film or TV show. These are called Production Assistance Agreements, and set out the legal terms of the partnership between the government and the production company. In this episode I explore these contracts, how long they've been in effect, and the powers they grant to both parties.
Two and a half years ago I asked the US Navy for various documents relating to their work with the entertainment industry, including the Production Assistance Agreements they sign with Hollywood producers. After over a year’s delay they responded saying that they don’t keep any copies of these contracts. Following an appeal and further delays […](
As part of their outreach efforts the Air Force's entertainment liaison office has started running annual tours for dozens of Hollywood bigshots. Recently released documents detail last year's tour to US Space Command. In this focus episode I go through the documents page-by-page as an open source case study in the government-Hollywood relationship and in how to do this kind of research. (Read more...)
