Entertainment Liaison Offices

A few weeks ago, Hollywood star Gerard Butler found himself behind a podium at the Pentagon talking to the national press. Given how rare Pentagon press conference have become in recent months, a number of people have asked the question as to how he ended up there, and why a Scottish movie star was deployed to talk to reporters. I reveal the background to this bizarre event, which marks a new tactic in the activities of the military entertainment liaison offices.

In our latest article, Matt and I reflect on two of the most common claims made about National Security Cinema, namely 1) That the government is really important in making movies more militaristic and 2) That Hollywood doesn’t produce dissenting films. While the first of these is somewhat true it is a simplification, the second is an outright falsehood.

Chris and Danny from Fortress on a Hill invited me onto their podcast to discuss militarism in Hollywood, the DOD's role in altering scripts, how recruitment propaganda works in the UK, the military vs intelligence approaches to counterinsurgency and other related topics. (Read more...)

While some senior military officials have spoken openly about the possibility of a war between the US and China, the entertainment liaison offices appear to be working to ensure that doesn't happen. Perhaps surprisingly, they have refused to support films, TV shows and video games where China is the adversary or antagonist, replicating the mentality shown by the Chinese government's censorship board.(Read more...)

The US Army’s entertainment liaison office has worked on as wide a variety of TV entertainment as you can imagine, from Oprah to Top Chef, from The Price is Right to Man of Steel.  But they do sometimes reject requests for support, as was the case with Wife Swap which was turned down partly because […](Read more...)

The men and women who are employed by the US military to fight its hegemonic wars often suffer from serious mental illness. Depression, PTSD/trauma, extreme anxiety and stress – these are commonplace among people both within the military and among veterans. In this episode I explore how the Pentagon's entertainment liaison offices have become less sympathetic to their own troops over time.

The latest reports from the US Army's entertainment liaison office show surprisingly few examples of them providing production assistance to films and TV shows. Instead, they appear to be spending the majority of their time arranging PR events, cosying up to studio executives and monitoring how the military is portrayed in popular entertainment.

Hollywood doesn’t make war films any more. This isn’t entirely true, but compared to the post-WW2 period there are a lot less war films being made today. In this in-depth episode I offer a brief history of war movies and anti-war movies, and how the Pentagon’s policy on supporting films depicting war seems to have changed over time. I highlight some of my favourite anti-war movies, along with the most anti-war films the DOD has supported.

The Vietnam war had a huge impact.  3 million dead Vietnamese, tens of thousands of dead Americans, and millions more on both sides suffering from trauma, depression and drug and alcohol addiction.  It also had a major influence on the US public’s willingness to engage in full-scale wars (at least until 9/11).  It also had […](

12 Strong, based on the book Horse Soldiers by Doug Stanton, is set in the early days of the US war in Afghanistan. Emails released by the US Army detail the support they and the Air Force provided to the production as well as their communications with the producers. During shooting, one of the producers wrote to the Army to thank them for helping to make the movie 'badass'.