esoterica

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By: Jay Dyer

Jay Dyer
21st Century Wire

Jay Dyer
21st Century Wire
In this episode, I decipher the philosophical and sometime esoteric underpinnings to two popular 90s films, Groundhog Day and The Truman Show. Surprising perhaps to some, both films exhibit a great deal of philosophical depth and forethought. Curious ethical and metaphysical questions are raised in both, and with The Truman Show, in particular.

Jay Dyer
21st Century Wire

Jay Dyer
21st Century Wire
In this first free hour I review and analyze Dave McGowan’s excellent book, Weird Scenes Inside the Canyon: Laurel Canyon, Covert Ops and the Dark Heart of the Hippie Dream, in an in-depth fashion. Comparable as a compliment to my own book, Esoteric Hollywood, this audio reviews Dave’s research, looks at his claims and adds my own information to some of his puzzle pieces.

Jay Dyer
21st Century Wire
James Corbett of the Corbett Report asked me to come on to discuss Christopher Nolan films, and in particular The Prestige in its relation to statecraft, espionage, the theater of media/warfare and how this explains the mysterious notions of revelation of the method and ‘Twilight Language.”

Jay Dyer
21st Century Wire

In this episode, I take on Kubrick’s horror classic, The Shining with a different take than Jay Weidner or Rob Ager. This audio also features my glorious Jack and Tony impersonations.

Given recent discussions and critiques, I thought a decent documentary on fractals would be beneficial. Simply put, the fractal is too complex to demonstrate without computer imagery. These complex forms, based on sets, demonstrate infinities are realities, and not merely a nominalist, “limiting factor” token symbol humans have “invented” or socially constructed. Despite the absurdity of the scientists in the documentary positing “natural selection” as the “creator” of fractals, the obvious truth is that they point directly to telos in nature, and thus God.

Jay Dyer
21st Century Wire

Jay Dyer
21st Century Wire
In this episode of Esoteric Hollywood, I decode and deconstruct the symbolism and narrative structure of Stanley Kubrick’s Eyes Wide Shut.