The assault of global capitalism is not only an economic and political assault. It is a cultural and historical assault. Global capitalism seeks to erase our stories and our histories. Its systems of mass communication, which peddle a fake intimacy with manufactured celebrities and a false sense of belonging within a mercenary consumer culture, shut out our voices, hopes and dreams.
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Sawant believes that because of the presidency of Barack Obama—who has served corporate power, expanded imperial wars, carried out a massive assault on civil liberties and failed to address the needs of the mounting numbers who are unemployed or underemployed—many people, especially young people, are hungry for political alternatives to “the two big business parties.”
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He argued that from the arrival of the first slave ship to the appearance of our vast archipelago of prisons and our squalid, urban internal colonies where the poor are trapped and abused, the American empire was unrelentingly hostile to those Frantz Fanon called “the wretched of the earth.” This, Malcolm knew, would not change until the empire was destroyed.
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Photo Credit: via YouTube/Warner Bros. Pictures
“American Sniper” caters to a deep sickness rippling through our society. It holds up the dangerous belief that we can recover our equilibrium and our lost glory by embracing an American fascism.
The innate barbarity that war and violence breed is justified by a saccharine sentimentality about the nation, the flag and a perverted Christianity that blesses its armed crusaders. This sentimentality, as Baldwin wrote, masks a terrifying numbness. It fosters an unchecked narcissism. Facts and historical truths, when they do not fit into the mythic vision of the nation and the tribe, are discarded. Dissent becomes treason. All opponents are godless and subhuman. “American Sniper” caters to a deep sickness rippling through our society.
The terrorist attack in France that took place at the satirical newspaper Charlie Hebdo was not about free speech. It was not about radical Islam. It did not illustrate the fictitious clash of civilizations. It was a harbinger of an emerging dystopia where the wretched of the earth, deprived of resources to survive, devoid of hope, brutally controlled, belittled and mocked by the privileged who live in the splendour and indolence of the industrial West, lash out in nihilistic fury.
What frightens the Israel lobby is not my critique, but my expertise. It is impossible to spew out the usual Israeli propaganda, half-truths, distortions and lies—as retired Harvard law professor Alan Dershowitz once tried to do when he and I appeared at a Columbia University event—to someone who has spent years in the Middle East reporting on the conflict. What the Israel lobby fears most are facts.
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The message was clear: In the United States those in prison deserve it; in foreign lands they are imprisoned unjustly. The Disneyfication of Alcatraz is the equivalent of turning one of Stalin’s gulags into a prison-themed amusement park. Prisons are institutionalized evil. And whitewashing evil is a moral monstrosity.
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The revolutionists call on us to ignore the political charades and spectacles orchestrated by our oligarchic masters around electoral politics. They tell us to dismiss the liberals who look to a political system that is dead. They expose the press as an echo chamber for the elites.
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There is more truth about American journalism in the film “Kill the Messenger,” which chronicles the mainstream media’s discrediting of the work of the investigative journalist Gary Webb, than there is in the movie “All the President’s Men,” which celebrates the exploits of the reporters who uncovered the Watergate scandal.
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