Tony Blair, Phantom of the Opera

The Phantom of the (tragic) Middle East Opera is back. A killer without a clue, he can’t be blamed for not being consistent.
His most recent opus speaks for itself; like a Kabuki mask high on Earl Grey tea, the Phantom is eviscerated by his own mighty pen, actually sword.
The fact that the Phantom keeps getting away with his vast desert of convoluted lies – instead of languishing in some rotten, extraordinary rendition hotel - spells out all we need to know about so-called Western “elites”, of which he’s been a faithful, and handsomely rewarded, servant.
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