jaysanalysis
Decoding The Most Powerful Mind Control Tool in the World – Jay Dyer
Stream or download the show here.
Leak Project invited me on:
“Esoterica in Hollywood, Subliminal Programming & Conditioning
Did you know that many clandestine agencies and branches of the DoD work within Hollywood? What if television and programing was often designed at the top levels to control your mind and how you think from the subconscious level?
Analysis of the Following Films and TV Series
JaysAnalysis: Japan in the New World Order
Sean from Japan joins me to give his analysis of the recent bizarre news stories of stabbings, and how this may relate to larger geopolitical motives. We cover the history of Japan’s westernization and World War 2, shadow banking and hidden hoards of gold, the relationship of Japanese elites to Korea, the drug trade, black markets, Asian mafias and how these subjects relate to staged news.
The Geopolitical Logos, Hollywood & Atlanticist Hegemony – Jay Dyer on ITEL
Inside the Eye invited me on to discuss a broad array of topics, including Hollywood and propaganda, MindWar, Zbigniew Brzezinski, technological supremacy and hidden tech, DARPA, Trump and Clinton, Eurasia and the West, Dugin’s view of Heidegger and the European logos, and my coming book, Esoteric Hollywood: Sex, Cults and Symbols in Film.
Perfect Control Without Further Fear: A Psychobiography of L. Ron Hubbard
Ron.
©James L. Kelley 2015
Southern California, circa 1948. A depressed, impotent Navy veteran named L. Ron Hubbard (1911-1986) angles his shoulders toward a customized high-speed typewriter. His dim, narrow eyes begin to glint as his fingers strike the keys. This, however, will be a new type of writing for Hubbard, who has long-since made his name as a penny-a-word pulp writer…
Esoteric Hollywood: Lloyd Johnsonius, Orson Welles & Vertigo
Intro theme: “Dream Agent” by Ariel Electron, Holeg Spies and Thierry Gotti on the “Kore Kosmou” album.
In this wild and wacky installment of Esoteric Hollywood, moral majority neo-con figure Lloyd Johnsonius tells us in Dobsonesque fashion which movies are acceptable. From there, I’m joined by my old high school hijinks partner, Ben Enoch to discuss Orson Welles’ The Third Man, and then I dissect Hitchcock’s Vertigo in esoteric style.
Pagination
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