Themes and Memes

Themes and Memes ep. 58 Tiger King review with Pearse Redmond

From TMpodcast.com Pearse Redmond joins Themes & Memes as a return guest. The Covid19 quarantine classic, Tiger King documentary, is the topic of discussion. A variety of issues such as high control groups, media analysis, and politics are discussed on this different kind of review. Download episode Show Notes: Relevant Links BCR Watch How to […]

The CIA and Hollywood episode 12 American Ultra

Adam from Themes and Memes is our guest to talk about the 2015 action comedy American Ultra.  We start by trying to define this film, which is an intense mixture of cartoonish ultra violence, CIA covert operations, romance, comedy and horror, looking at the dissociating nature of this blend.  The intentions of screenwriter Max Landis and the director Nima Nourizadeh are discussed and we ask whether they were reaching out to the CIA or trying to flatter them by making MKULTRA seem cool to stoners and young people.  We go on to look at the prominen

The CIA and Hollywood episode 4 Enemy of The State

Good friend Adam joins us to discuss the 1998 action thriller Enemy of the State, and its unprecedented ‘revelation’ of surveillance technology.  We talk about how the film has a rogue’s gallery of technical advisers – including Chase Brandon and Marty Keiser – and how this led to one of the most spectacular depictions of the NSA and the spy state in general.  Following from this we analysed the likely purpose in the CIA masking themselves as the NSA in the film, and how this has scuppered the progress of any serious dialogue about mass surveillance.

Porkins Policy Radio ep. 33 Snowpiercer

On this installment of Porkins Policy Radio I was joined by Aaron Franz and Adam, co-hosts of Themes and Memes, for a discussion of the sci-fi thriller film Snowpiercer.  Dealing with the aftermath of a geo-engineering disaster, the surviving population of Earth lives on a highly advanced train that circles the world once a year.  While the rich and powerful live in the front in perpetual luxury, the tail section is composed of the poor who plot a revolutio