One “Little” Legislative Crime that Keeps on Giving
NOVA: If this region—New Orleans, the wetlands, and all—were a patient in the hospital, how would you describe them? At what stage are they?
IVOR VAN HEERDEN: Close to death.
[…]
NOVA: If this region—New Orleans, the wetlands, and all—were a patient in the hospital, how would you describe them? At what stage are they?
IVOR VAN HEERDEN: Close to death.
[…]
The central argument of Amusing Ourselves [Neil Postman] is simple: there were two landmark dystopian novels written by brilliant British cultural critics – Brave New World by Aldous Huxley and Nineteen Eighty-Four by George Orwell – and we Americans had mistakenly feared and obsessed over the vision portrayed in the latter book (an information-censoring, movement-restricting, individuality-emaciating state) rather than the former (a technology-se
East Jerusalem has received new impetus from the rise of the Israeli far right and Washington’s decision to move its embassy to the city. But if completed, critics say, the long-running proposal would contribute to erasing the visibility of Palestinians in the city they hope to make their capital.
Planning for the $55 million tourism project continues despite unifying archaeologists, architects, Palestinians, and a tiny community of Jews against it – in a sign of Israel’s ever-growing confidence in making unilateral moves in occupied parts of Jerusalem.
The 350,000 Palestinian inhabitants of occupied East Jerusalem are caught between a rock and hard place, as Israel works ever harder to remove them from the holy city in which they were born, analysts and residents warn.
That process, they say, has only accelerated in the wake of US President Donald Trump’s decision a year ago to relocate the American embassy to Jerusalem, effectively endorsing the city as Israel’s exclusive capital.
Special for Dissident Voice and LA Progressive, part of National Poetry Month, 2019
The shape of learning comes in all sizes, all forms. We know what not learning is — texting, emailing, You Tube videos, a world of Teletubbies, from birth to death.
Education is not preparation for life; education is life itself.
We do not learn from experience… we learn from reflecting on experience.
Failure is instructive. The person who really thinks learns quite as much from his failures as from his successes.
Give the pupils something to do, not something to learn; and the doing is of such a nature as to demand thinking; learning naturally results.
We only think when confronted with a problem.
It stinks, it is the most polluted city on earth, but that is not the most terrible thing about it.
You can drive for ten or even twenty kilometers through it, and see only ugliness, fences and broken pavements. But there are many miserable cities on this planet, and I have worked in almost all of them, in 160 countries.
So why is ‘Jakarta killing me’? Why am I overwhelmed by depression whenever I decide to film here, or to write about the state in which its citizens are forced to live? Why, really, do I feel so desperate, so hopeless?
I was at a city hall meeting in Beaverton, Oregon, the other day when a few questions I had for the presenters dropped jaws. We’ll get to that later, the jaw-dropping effect I and those of my ilk have when we end up in the controlled boardrooms and chambers of the controllers – bureaucrats, public-private clubs like Chamber of Commerce, Rotary, and both political operatives and those who liken themselves as the great planners of the world moving communities and housing and public commons around a giant chessboard to make things better for and more efficient in spite of us.
Some time ago I found myself in Paddington Central, a development of office and residential buildings near Paddington train station in London. I’d accidentally walked into the glass and metal concave and what appeared to be a public space, albeit one surrounded by the usual corporate outlets; green grass, a sort of amphitheater, people sitting around eating and drinking and a busker packing up. It appeared pleasant, but there was something artificial and menacing here.