film review

Black American cinema vis-a-vis Dalit Indian cinema

If being ghettoised within the mainstream and slotted in the category of “outcasts” in society, then Blacks in America and Dalits in India perhaps face the same kind of discrimination in their respective societies. While the Dalits are born into it by virtue of their caste determined by social and cultural history, the Blacks are discriminated against on the basis[Read More...]

Manipur Mindscapes: A film by Joshy Joseph

The Films Division under the Government of India’s Ministry of I&B has a certain genealogy that has been in a constant search of cinematographic forms that would make the body of the films handsome and at the same time accessible to the audiences at large. Right from its inception soon after India’s independence, the Films Division has been very interestingly[Read More...]

Divisive Politics: Alarming Scenario – Film Kashmir Files’ Negative Role

The incidents from Ram Navami to Hanuman Jayanti have more than shaken the nation. The ‘bulldozer of Hate’ demolished not only several households but also our Constitutional values. Backing up on this now loud speakers in Mosque is being made an issue by divisive politics. While most Muslim groups are for abiding by the instructions of Courts, the BJP-MNS (Raj[Read More...]

The Kashmir Files is nothing but an attempt to silence voices of dissent  

  The recent Indian movie on the conflict zone of Kashmir can be best described as a propaganda tool of apologists for the ruling Hindu nationalist BJP government in New Delhi. Directed by Vivek Agnihotri, who is known for his pro-BJP stance, The Kashmir Files is not really a true and complete story of Kashmiri Hindus, who were forced to[Read More...]

Why RRR is not a Hindutva propagating film

The recently released movie ‘RRR’ is being received well across the country. The movie is based on two revolutionary tribal leaders namely Alluri Sitaramaraju and Komaram Bheem. While both lived in different geographies and had never met, the movie builds on the assumption of what would have happened had both lived at the same time, met and fought together. A[Read More...]

Dystopian Movies Fit for a Dystopian World

The Internet is watching us now. If they want to. They can see what sites you visit. In the future, television will be watching us, and customizing itself to what it knows about us. The thrilling thing is, that will make us feel we’re part of the medium. The scary thing is, we’ll lose our right […]
The post Dystopian Movies Fit for a Dystopian World first appeared on Dissident Voice.

“Kashmir Files”-Half Truths and falsehoods galore

Major weapon of sectarian nationalism is to spread misconceptions and create hate against the religious minorities. This process which has been going on since long has now got a new tool, a film, “Kashmir Files”. As such misconceptions against minorities are based on half truths, selective truths, lies and this film is another addition to that. The slogans-misconceptions against religious[Read More...]

‘Kashmir Files’ is a Manifestation of  Hindutva Fascism

We should expose how ‘Kashmir Files’ movie is an advertisement of the Hindutva propaganda machine to tarnish the image of Muslims of Kashmir, give a crushing blow to all credibility to the right of self-determination of Kashmiri people and sow the seeds of a Hindu Rashtra for the saffron brigade to sharpen it’s fangs. It jeopardises Hindu-Muslim fraternity. Its projection[Read More...]

Appropriate Portrayal of Youth on the Margins through Sports and Uproar – Unheard Expressions

by Rishikesh Nagdawane, Kanad Jambhulkar and Vicky Nandgaye The film is inspired by the former sports teacher Vijay Barse from Hislop College. It is a socio-pic (see Mangesh Dahiwale’s wall[1]) because it combines Vijay Borade’s (Amitabh Bacchan) life and mission with the lives and sufferings of city-slum young people. As a result, it can be viewed as a socio-pic. The[Read More...]

Love & Shukla  – Through a Gender Lens

The setting – A 12 by 12 all-purpose one-room rundown chawl in a crowded suburb of Central Mumbai. The residents – An auto rickshaw driver, Manu Shukla, and his parents. The milieu – A crowded, dark, noisy, smoky bar where Shukla and his friends hang out late evenings after a hard day’s labor, to bond over beer and banter.  Conversations[Read More...]