Classism

The Banality of Evil Creeps into those Who Believe They Are Good

I was at a city hall meeting in Beaverton, Oregon, the other day when a few questions I had for the presenters dropped jaws. We’ll get to that later, the jaw-dropping effect I and those of my ilk have when we end up in the controlled boardrooms and chambers of the controllers – bureaucrats, public-private clubs like Chamber of Commerce, Rotary, and both political operatives and those who liken themselves as the great planners of the world moving communities and housing and public commons around a giant chessboard to make things better for and more efficient in spite of us.

Housing Crisis, Mental Health Collective Breakdown, 9 am to 5 am Work!

The essential American soul is hard, isolate, stoic, and a killer. It has never yet melted.
― D.H. Lawrence, Studies in Classic American Literature
He who does not travel, who does not read,
who does not listen to music,
who does not find grace in himself,
she who does not find grace in herself,
dies slowly.
— Brazilian poet Martha Medieros

As World Burns, Half US Population Chronically Ill . . .

Stealing Life with the Big Bad Retail King — One-third of All Buying Transactions 

Good name in man and woman, dear my lord,
Is the immediate jewel of their souls.
Who steals my purse steals trash; ’tis something, nothing;
‘Twas mine, ’tis his, and has been slave to thousands;
But he that filches from me my good name
Robs me of that which not enriches him,
And makes me poor indeed.
— Iago, Shakespeare’s Othello

The Damaging Asian Male Sexuality in Crazy Rich Asians and Why It is Not Asian Black Panther

Crazy Rich Asians has already been compared by reviewers criticizing it for its exaltation of late-stage capitalism to The Great Gatsby. It is a good comparison because it is true. We know enough by now that if you throw a Gatsby-themed Jazz Age wedding, the joke’s on you—you clearly have not read the book, or, having read it, did not understand it. The same applies to the misguided celebration of Crazy Rich Asians as some triumph of representation or diversity if it is to be praised for its satirical quality.