Jamie Hanshaw joins me to do an in-depth analysis of some of Hitchcock’s greatest films and their deeper meaning. Jamie and I deconstruct Notorious, Marnie, Rear Window, North by Northwest, The Man Who Knew Too Much, Vertigo, Psycho, The Birds and Frenzy.
Intro theme: “Dream Agent” by Ariel Electron, Holeg Spies and Thierry Gotti on the “Kore Kosmou” album.
In this wild and wacky installment of Esoteric Hollywood, moral majority neo-con figure Lloyd Johnsonius tells us in Dobsonesque fashion which movies are acceptable. From there, I’m joined by my old high school hijinks partner, Ben Enoch to discuss Orson Welles’ The Third Man, and then I dissect Hitchcock’s Vertigo in esoteric style.
