Theatre

In the last week of May European citizens will have their last chance to vote in a European Parliament election that makes a difference. It will be a paneuropean election where we can, perhaps for the last time, oppose both faces of authoritarianism across Europe: (A) The inane authoritarianism of the business-as-usual establishment, and (B) The authoritarianism of the xenophobic Nationalist International that is reinforced by the establishment’s policy of socialism for the bankers and austerity for the many.

Monday 18 February, 20.00, live from Théâtre du Rond-Point. A discussion between Aude Lancelin and Yanis Varoufakis on politics and philosophy. Follow on @LeMediaTV.

In 2018, the good people behind the Edinburgh Festival kindly invited me to host a series of discussions under the title KILLING DEMOCRACY? My remit was: Further to explore the question of whether the current form of financialised capitalism is devouring democracy, reflecting on my work with the Democracy in Europe Movement (DiEM25). In a series of four events I tried to explore the ways in which the demos can be put back into our democracies.

Brian Eno correctly said that children play to discover how the world works and, once they grow up, art is the adult way of continuing to… play. But, then, he incorrectly surmised that art is not dangerous. True, in the good society art would not be dangerous. But, in our terrible societies the madmen in authority are terrified of good art. “When I hear the word culture I reach for my revolver”, opined Herman Goering. And how right he was! “The purpose of painting is not to decorate.

A culture war is underway in Europe – not between the ‘anywheres’ and the ‘nowheres’, but between those who use culture to divide – by class, by race, by nation – and those who use it to connect and include. This war is not based in Parliament – but on the street, in our homes, and across the web. If these conflicts present real dangers, they also present opportunities to reach people that have disconnected from traditional forms of politics – and to hear their voices in response.

Before 2008 we could all see that global trade imbalances were growing inexorably, creating a glut of savings in surplus countries that flowed into deficit countries, causing house price, stock exchange and debt bubbles whose bursting would never end well. What few could see, however, was that, behind the dominant narrative of unfettered competition and equilibrating market forces, a different reality was taking shape. Corporate power was succeeding in reducing price competition, usurping (and often replacing) market forces and controlling effective demand.

« Amargi » est un mot qui vient de loin : en Mésopotamie, 2000 ans avant notre ère, il voulait dire « liberté ». Gravé sur des tables d’argile lorsque le roi prononçait un décret de libération des asservis pour dette, il signifiait l’annulation de toutes les dettes… Un tel effacement paraît aujourd’hui inconcevable, comme si les lois de la création monétaire l’avaient rendu impossible.

Ladies and Gentlemen, my heartfelt thanks for your presence here tonight. Thanks also to the good people at South Bank who honoured me with the humbling idea and invitation to combine my own musings on globalisation with the remarkable images of Andreas Gursky – images which have, over the years, done so much to enlighten us regarding the topsy-turvy world that we have been helping bring about. Yes, a picture is a thousand words but, at the same time, words liberate  our mind’s eye so that it can make sense of otherwise incomprehensible images.