On April 1, a mural appeared in the Southern Italian city of Naples, depicting Palestinian workers lining at an Israeli military checkpoint near the occupied city of Bethlehem, in the West Bank. It is called ‘Welcome to Bethlehem’. The mural, which quickly became popular in the town and on social media, was the work of […]
At the High Line, a popular tourist attraction in New York City, visitors to the West side of Lower Manhattan ascend above street level to what was once an elevated freight train line and is now a tranquil and architecturally intriguing promenade. Here walkers enjoy a park-like openness; with fellow strollers they experience urban beauty, […]
The post Art Against Drones first appeared on Dissident Voice.
Last week, Australians found themselves delighting in another fit of cancel culture, this time in the art world. Tasmania’s Dark Mofo art festival prides itself on being gritty but the mood was very much about removing any grit to begin with. Interest centred on the project of Spanish artist Santiago Sierra, who had proposed soaking […]
The post Cancelling Art, Dark Mofo and the Offended Classes first appeared on Dissident Voice.
Each couch by the street has a story I wonder what this one maybe Did they leave their home and move into a car Or find a sofa to sleep on at a friend’s house Did they stay near, or go far away Disappear without a trace […] When they come to evict your neighbor, […]
The post On the Streets, In Union Halls, On the Frontlines: Have Guitar, Will Travel first appeared on Dissident Voice.
Why does Israel hate Palestinian singer, Mohammed Assaf? On October 16, Avi Dichter, Israeli Member of Parliament from the right-wing Likud Party, announced that Assaf’s special permit to enter the occupied Palestinian West Bank would be revoked. Assaf, originally from Gaza, now lives with his family in the United Arab Emirates. He achieved stardom in […]
Anonymous British street artist Banksy made headlines in October when his $1.4 million artwork Girl with Balloon self-destructed by passing through a shredder concealed in its frame at a London auction moments after it had been bought.
But in the Palestinian city of Bethlehem, a much larger Banksy art project – a hotel boasting “the worst view in the world” – appears to be unexpectedly saving itself from similar, planned destruction.
The modern art world is filled with pranks and pranksters, the clowns who have decided that play counts for art. Brattish artists foist a range of projects and conceptual themes upon art galleries who, foolishly, see emperors decked in the finest wear. They refuse to consider that the wear is absent, an expensive mirage that tells to an old tale of the imperial ruler without clothes.
Art is the last line of defense against authoritarian control, and artists are contemporary shamans delivering message. The eternal protectors of this little light of mine. Within the artist resides connection to source that rejects what is diseased within the soul of humanity. The artist courageously holds the lamp of truth in the darkness when all other luminaries have absconded into the void.
The law locks up the man or woman
Who steals the goose from off the common,
But lets the greater felon loose
Who steals the common from the goose.
— (Anonymous protest poem from the 17th century)
