Science is pervasive directly and indirectly in every phase of modern life. While the majority are not directly involved in science, they need to understand science and how it works. It is increasingly the underlying control of social, political, and economic decisions made by them or for them. They need to understand how it works, […]
Jay Dyer
21st Century Wire
Jamie Hanshaw joins me to discuss B movies that actually have a meaning and a message – often not what you expect. In this slaptastic conversation, we cover: The Stuff, Demon Seed, Running Man, Ghoulies, Prince of Darkness and Village of the Damned. I guarantee you will be surprised what these films actually reveal…
John and Chris of Hoax Busters join Jay Dyer and Jamie Hanshaw in a free ranging discussion about many topics, including: The Laurel Canyon Scene, The Music Industry, Weaponized Culture, Vietnam, Perfumes and Fragrance, Geopolitics, Nihilism, Evolutionism, The Middle East, Fake Terror, Immigration, Gender Roles, Occult Symbolism, Pizza, Jay’s new book: Esoteric Hollywood.
I called into the Hoax Buster’s Call to discuss the crucial subject of how presuppositions and paradigms function as templates to interpret “facts.” There are no “brute facts” that come un-interpreted, outside of some contextual framework or worldview. In this discussion we investigate how the human mind categorizes the “data” or experience and how our governing assumptions about life and the world determine what the “facts” are, which constitute evidence and/or which are rejected and reinterpreted based on our beliefs (even when we presu
The first hour is free, while the full talk can be obtained by subscribing to JaysAnalysis for 4.95 a month or 60.00 a year at the pay pal links. In this first free hour I review and analyze Dave McGowan’s excellent book, Weird Scenes Inside the Canyon: Laurel Canyon, Covert Ops and the Dark Heart of the Hippie Dream, in an in-depth fashion. Comparable as a compliment to my own book, Esoteric Hollywood, this audio reviews Dave’s research, looks at his claims and adds my own information to some of his puzzle pieces.
You down with di-a-lectics, bro …?
Branko Malić
21st Century Wire
There are several essential messages literally shouting from the screen, whenever one watches ‘The Last Supper’ (La Ultima Cena), a brilliant 1976 film by a Cuban director Tomas Gutierrez Alea.
The utmost one: it is impossible to enslave an entire group or race of people, at least not indefinitely. Longing for freedom, for true liberty, is impossible to break, no matter how brutally and persistently colonialism, imperialism, racism and religious terror try to.
This is the first free half of a full talk for paid subscribers. Patrick Henningsen of 21stCenturyWire joins me for another graduate level course in geopolitics, as we break down the following topics: Mainstream media hoaxes, fake news, Atlanticist hegemony, intelligence operations and smart power/soft power fronts, NGOs, the war in Aleppo, “White Helmets,” the history of CIA operations in Syria, Hollywood’s Rendition, Turkey’s role, 007 and The World is Not Enough’s plot in relation to modern Eurasian subterfuge, the secret behi
Wild Things is a 1998 erotic thriller which is usually seen as a tacky, trashy sex movie set in the glossy upper class world of Blue Bay, Florida. This week we take a closer look at this film, examining its complex plot as a clue to what lies beneath the bikini-clad surface. We examine various aspects of the film that are hallmarks of classical theatre, from the soundtrack as a Greek chorus to the theme of water as a form of catharsis that runs throughout the film.
