Something remarkable even by the usually dismal standards of the stenographic media blue-tick brigade has been happening in the past few days. Leading journalists in the corporate media have suddenly felt the urgent need not only to criticise the late, much-respected foreign correspondent Robert Fisk, but to pile in against him, using the most outrageous […]
I recently published in Middle East Eye a long analysis of last week’s report by the Equalities and Human Rights Commission into the question of whether the UK Labour party had an especial antisemitism problem. (You can read a slightly fuller version of that article on my website.) In the piece, I reached two main conclusions. First, […]
• This is the full version of an article published in edited form by Middle East Eye It was easy to miss the true significance of last week’s Equalities and Human Rights Commission (EHRC) report on the British Labour Party and antisemitism amid the furore over the party suspending its former leader, Jeremy Corbyn. The […]
What I think of as the cynical left are once again berating the progressive critical left, myself included, for failing to write what they want written about Covid-19. I take this as a kind of unintended compliment: that they think we can write about their concerns better than they can themselves.
It is unprecedented. Three years after the Israeli government first began vilifying a Palestinian teacher to retrospectively justify his murder by Israel’s security forces, Prime Minister Benjamin Netanyahu issued a public apology to his family last week. Yacoub Abu al-Qiyan was not a “terrorist” after all, the Israeli prime minister conceded.
It is simply astonishing that the first attempt by the Guardian – the only major British newspaper styling itself as on the liberal-left – to properly examine the contents of a devastating internal Labour party report leaked in April is taking place nearly four months after the 860-page report first came to light.
Ken Loach, one of Britain’s most acclaimed film directors, has spent more than a half a century dramatising the plight of the poor and the vulnerable. His films have often depicted the casual indifference or active hostility of the state as it exercises unaccountable power over ordinary people.
