Art and Culture

Following my article in Unherd about the Parthenon Marbles, Michael Portillo interviewed me on the subject for GB News.
The post What to do about the Parthenon Marbles – interviewed by Michael Portillo appeared first on Yanis Varoufakis.

“Like lambs to the slaughter” was how an elderly neighbour described the deaths of youngsters travelling on Intercity 62 which, on the night of 28 February, crashed head-on with a freight train in Greece killing 57 people. Many of the dead were students returning after a long weekend from Athens to their universities in Thessaloniki. […]

From the very beginning, Elgin’s removal of the Parthenon’s statues and friezes caused something of a discursive British civil war. On one side were humanists, like Lord Byron; on the other were Empire apologists, who defend Elgin’s actions and support the British Museum’s inalienable property rights to the artefacts it, eventually, purchased from him. Over […]

 
Η παρασιτική ολιγαρχία δείχνει το ασχημότερο πρόσωπό της όταν ασχολείται με τον Πολιτισμό

The Faculty of Medieval and Modern Languages, Oxford University, kindly invited me to deliver the 2019 Taylor Lecture on 12th February 2019. I chose the topic of  Realistic Utopias versus Dystopic Realities – my aim being to highlight the manner in which really-existing capitalism is marketed as a utopian science fiction that has nothing to do with… really-existing capitalism. Behind this elegant utopian mathematical the powers-that-be hide a dismal dystopia that is failing humanity in a variety of ways.

A culture war is underway in Europe – not between the ‘anywheres’ and the ‘nowheres’, but between those who use culture to divide – by class, by race, by nation – and those who use it to connect and include. This war is not based in Parliament – but on the street, in our homes, and across the web. If these conflicts present real dangers, they also present opportunities to reach people that have disconnected from traditional forms of politics – and to hear their voices in response.

The news that “documenta 14 Cancels ‘Auschwitz on the Beach’ Performance Amid Intense Criticism” should worry us all. Censorship is the coward’s way out of controversy. Dialogue, fierce disagreement and, hopefully eventual synthesis, is the hard road that democrats dare to tread.

“We Come Bearing Gifts”—iLiana Fokianaki and Yanis Varoufakis on Documenta 14 Athens

AUGUST 20, 2016 – From Vijay Kumar. Sir, One often hears that people on the left of the political spectrum tend to be more intelligent, more articulate, better read and generally more fun to be with. Sir, One often hears … Continue reading →