Screengrab from American Sniper By Noura Mansour | MEMO | January 29, 2015 The media plays a significant role in shaping public opinion and narratives. Over the years, it has become a force to be reckoned with in all aspect of life, culture, education, society, language, economy and, especially, politics. Visual media such as movies […]
Photo Credit: via YouTube/Warner Bros. Pictures
“American Sniper” caters to a deep sickness rippling through our society. It holds up the dangerous belief that we can recover our equilibrium and our lost glory by embracing an American fascism.
The innate barbarity that war and violence breed is justified by a saccharine sentimentality about the nation, the flag and a perverted Christianity that blesses its armed crusaders. This sentimentality, as Baldwin wrote, masks a terrifying numbness. It fosters an unchecked narcissism. Facts and historical truths, when they do not fit into the mythic vision of the nation and the tribe, are discarded. Dissent becomes treason. All opponents are godless and subhuman. “American Sniper” caters to a deep sickness rippling through our society.
The most harrowing scene in American Sniper involves an Iraqi character nicknamed “The Butcher” torturing and executing an Iraqi child by taking a power drill to his skull. The scene lends credibility to the narrative of Chris Kyle as basically a hero facing villains. In the film, “The Butcher” is a lieutenant of Abu Musab al-Zarqawi, the Sunni insurgent, terrorist, and founder of Al Qaeda in Iraq, which later became ISIS.
Emotion doesn't negate fact.
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“There are four types of people who join the military. For some, it’s a family trade. Others are patriots, eager to serve. Next you have those who just need a job. Then there’s the kind who want a legal means of killing other people.”
– The title character of the 2012 movie Jack Reacher, played by Tom Cruise
