Once again, war is prime time and journalism's role is taboo
John Pilger argues that the theatre of the inquiry in London into media phone hacking deflects from the role of journalism in promoting war and other crimes of state.
John Pilger argues that the theatre of the inquiry in London into media phone hacking deflects from the role of journalism in promoting war and other crimes of state.
John Pilger reports from Mexico where the past often a vivid and surreal presence and the present sends a univeral message.
John Pilger analyses President Obama's decision to send special forces to Uganda, Congo and Central African Republic. This amounts to a US invasion of the African continent - following the West's de facto conquest of Libya. The dangers and ironies ought to be clear.
John Pilger describes in the New Statesman how the WikiLeaks founder and editor is subjected to 'a drip feed of hostility' from those who were once his allies. The information revolution is a threat not only to great power but to its media gatekeepers.
John Pilger describes the surreal experience of a Westfield mega mall. The biggest mall in Europe has just opened in London, controlling the main entrance to the 2012 Olympics. In the West, consumerism and war are apparently natural allies, with indebted shopping now 'normal' - like 'perpetual war'.
John Pilger describes the lethal similarities between the propaganda that led to the invasions of Iraq and now Libya, and the arms industry's view of "a very worthwhile region to target".
John Pilger describes the conditions that have led to the social explosion across the UK and argues that while crime may feed on riots, it does not ignite them.
John Pilger reports from Havana on his first assignment to Cuba in many years. He finds a softer, easier society, with the idea and symbol of revolutionary Cuba, unchanged.
In his latest column for the New Statesman, John Pilger examines the spectacle of the Murdoch scandal and its cover for a system that welcomed Rupert Murdoch's "rapacious devotion to the free market".
In his latest column for the New Statesman, John Pilger examines the 'Obama effect' on much of liberal opinion and anti-war dissent in the United States, of which the recent banning of his film, 'The War You Don't See', is a symptom.