Simon Elmer Der Zauberlehrling (1797) is the title of a famous ballad by Johann Wolfgang von Goethe, a re-telling of an ancient Egyptian myth that was later put to music by the French composer, Paul Dukas, in his orchestral scherzo L’Apprenti sorcier (1897). The latter was chosen for the title of a text published in …
Despite an enduring fascination with the radical psychoanalyst Wilhelm Reich (1897-1957), there has yet to be published a satisfactory intellectual history of Reich’s wide-ranging ideas. In particular, scholars have failed to recognize the roots of his concepts in early 19th century Romanticism. I refer here primarily to German Naturphilosophie, which strongly appealed to those temperamentally opposed to […]
We have so little time, but still the old guard wants to block any possible path to salvation, writes Jonathan Cook. By JonathanCook Jonathan-Cook.net A group of 30 respected intellectuals, writers and historians has published a manifesto bewailing the imminent…Read more →
The modern trope and symbol for the sinister archpriest likely requires some analysis to give it meaning in three dimensions, and to put this being into some kind of social context related to the present spirit of the times. At first, this may seem like an impossible task, given the media’s proliferation in everyday life. When therefore, is the individual not inundated with a glut of images in print, social media, television, satellite, cable stations, etc., that can even be accessed on one’s personal cell phone, tablet or other electronic devices?
