The act of Palestinian activists covering their faces during anti-Israeli occupation rallies is an old practice that spans decades. The masking of the face, often by Kufyias – traditional Palestinian scarves that grew to symbolize Palestinian resistance – is far from being a fashion statement. Instead, it is a survival technique. Without it, activists are likely to be arrested in subsequent nightly raids; at times, even assassinated.
Men’s evil manners live in brass; their virtues
We write in water.
— Henry VIII (IV.ii.)
Earlier this month, popular ‘progressive’ news website The Intercept published an article entitled “From El Paso to Sarajevo: How White Nationalists Are Inspired by the Bosnia Genocide”, written by journalist and staff writer Murtaza Hussain. The piece argued that many of the perpetrators behind mass shootings and domestic terrorism in the West — from the convicted far right extremist behind the 2011 Norway attacks to the suspect charged in the recent mosque shootings in Christchurc
They all do it: corporations, regimes, authorities. They all have the same reasons: efficiency, serviceability, profitability, all under the umbrella term of “security”. Call it surveillance, or call it monitoring the global citizenry; it all comes down to the same thing. You are being watched for your own good, and such instances should be regarded as a norm.
Many have already noticed: The U.S. really, really doesn’t feel like the world leader, or even as a ‘first world country’. Of course, I write that sarcastically, as I detest expressions like ‘first world’, and the ‘third world’. But readers know what I mean.
Though #1 on the New York Times Bestseller list for 13 weeks in 1952, beloved of William Buckley and Ronald Reagan (“As long as humanity speaks of virtue and dreams of freedom, the life and writings of Whittaker Chambers will ennoble and inspire.”), despite being hailed as “one of the dozen or so indispensable books of the century” (George Will), Witness quickly disappeared from our collectiv
It is an age-old question as to the extent art reflects the world we live in. Bertolt Brecht allegedly said to the contrary that art was “not a mirror held up to reality but a hammer with which to shape it.” The Marxist German playwright devised theatrical methods designed to distance the audience from the staged drama while drawing self-reflexive attention to the contrived nature of the spectacle itself.
The exile of prisoners to a distant place, where they can ‘pay their debt to society,’ make themselves useful, and not contaminate others with their ideas or their criminal acts, is a practice as old as civilization itself. The rulers of ancient Rome and Greece sent their dissidents off to distant colonies. Socrates chose death over the torment of exile from Athens. The poet Ovid was exiled to a fetid port on the Black Sea.”
— Anne Applebaum, Gulag: A History, 2003
In the case of both Big Tech and governmental surveillance agencies, undergirding a commitment to the inevitable and imminent time after-Earth is the appeal of science fiction aesthetics, concepts and projects, all aimed toward the new goal of having new places and opportunities to conquer, colonize and dominate post-Earth.
— Sarah T. Roberts and Mél Hogan, b-20, August 2019
A few days ago Vanity Fair, the same outlet that once attempted to block the exposé of monster pedophile Jeffrey Epstein, published an article by Venessa Grigoriadis that provides some details of Epstein’s friend and alleged ‘co-conspirator’ Ghislaine Maxwell.
