Documents

A few weeks ago, Hollywood star Gerard Butler found himself behind a podium at the Pentagon talking to the national press. Given how rare Pentagon press conference have become in recent months, a number of people have asked the question as to how he ended up there, and why a Scottish movie star was deployed to talk to reporters. I reveal the background to this bizarre event, which marks a new tactic in the activities of the military entertainment liaison offices.

In 1994 the Chinese government first allowed Hollywood films to be distributed within the country.  Since then the US and China have been in a near-constant state of negotiations over import quotas, profit sharing and market access.  In 2007 the US brought a case before the World Trade Organisation, arguing that Chinese protectionism was preventing […](Read more...)

While some senior military officials have spoken openly about the possibility of a war between the US and China, the entertainment liaison offices appear to be working to ensure that doesn't happen. Perhaps surprisingly, they have refused to support films, TV shows and video games where China is the adversary or antagonist, replicating the mentality shown by the Chinese government's censorship board.(Read more...)

Four years ago, scholar Ben Urwand revealed how the Nazis' man in Hollywood Georg Gyssling censored and rewrote film scripts to remove scenes and dialogue that criticised the Nazi regime. He also repeatedly removed references to the suffering of Jews in post-WW1 Germany. Hidden until now, the DOD continued this policy after the war, helping rehabilitate Germany's image and cover up for anti-semitism.

The latest release from the US Army's entertainment liaison office provokes many questions. Why did they refuse to support the movie Rampage? Why are the military pitching ideas to studio executives? Who is in charge of the Pentagon's operations in Hollywood? And why does the US Army have a collection of Nazi art?(Read more...)

The FBI got back to me recently with a response to my request on The Spook Who Sat by the Door, including a few pages from Sam Greenlee's FBI file, which they'd previously claimed they could not find. Amusingly, the version of this file released to my by the National Archives contains several extra pages, while the FBI version of the exact same documents is more heavily redacted.

The US Army’s entertainment liaison office has worked on as wide a variety of TV entertainment as you can imagine, from Oprah to Top Chef, from The Price is Right to Man of Steel.  But they do sometimes reject requests for support, as was the case with Wife Swap which was turned down partly because […](Read more...)

The latest reports from the US Army's entertainment liaison office show surprisingly few examples of them providing production assistance to films and TV shows. Instead, they appear to be spending the majority of their time arranging PR events, cosying up to studio executives and monitoring how the military is portrayed in popular entertainment.

12 Strong a.k.a. Horse Soldiers is based on a book about a US Army Special Forces group sent to Afghanistan during the early days of the post-9/11 War on Terror.  Recently released emails from the Army show that they made changes to the script in exchange for their support, including trying to rewrite one of […](Read more...)

The late Cold War classic Top Gun is one of the most well-liked military movies of all time. It's combination of romance, comedy and never-seen-before aerial action was made possible by extensive support from the DOD, particularly the US Navy.