For us there are no dialectics: creation is not set against divine energy and presence, but is in fact its intended telos. God thus manifests His uncreated glory in time and space and in multitudes of created forms: upon this hangs the reality of the Gospel and the reality of the Incarnation as a deification of Christ’s humanity, and by extension, us who participate in His deified flesh. Anything else is Arian heresy. Like His humanity or the sacraments, created forms really and truly thus become vehicles of uncreated reality and not ‘created grace.’ The light of Mt. Tabor is uncreated and so is the light we partake of, divine grace – hesychasm. And to add fuel to this fire, virtually all Protestants also teach grace is created, too!
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JaysAnalysis has grown to become one of the premier film and philosophy sites on the net, showcasing the talents of Jay Dyer, whose graduate work focused on the interplay of film, geopolitics, espionage and psychological warfare. Jay is a public speaker, lecturer, comedian and author of the popular title Esoteric Hollywood: Sex, Cults and Symbols in Film, which made it to Amazon’s No. 1 spot in its first month of release in the Film and Hollywood Category:
Known for his in-depth commentary, satire and celebrity impressions, Jay is the host of the JaysAnalysis Podcast and Esoteric Hollywood. He is also a regular contributor to 21stCenturyWire, Soul of the East and the Espionage History Archive, as well as appearing on numerous nationally syndicated radio shows, such as Ground Zero and Coast to Coast AM, as well as TV shows like Buzzsaw with Sean Stone.
Broaching subjects as wide as satire, metaphysics, film analysis, theology, geopolitics, literature and history, as well as interviewing numerous prominent figures, Jay is academically published in peer review and has authored hundreds of articles already read by millions in just the past few years. Jay Dyer has also co-created, written, and co-starred with Jay Weidner in a new television series titled Hollywood Decodedfor Gaia based on his unique approach to film.
