By K.J. Noh | CounterPunch | January 16, 2015 In the beautiful, gilded, Staatstheater in Nuremberg, not far from the Palace of Justice where the historic Nuremberg trials were held, the last searing, soaring notes of the opera “Die Witwe des Schmetterlings (The Butterfly Widow)” ring out, seemingly suspended for an eternity. The audience rises to its feet […]
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