In No Exit, the translated title of Jean-Paul Sartre’s play, Huis Clos, three deceased characters find themselves in a room, ostensibly in Hell, in what transpires as a permanent wait. Locked after being ushered in by a valet, with quite literally no means of escape, they are confronted with each other’s moods, lies and eventual confessions. Sadism, cowardice and mendacity[Read More...]
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